​​​​"My artistic practice is guided by the feeling that everything within existence is intrinsically connected. Human and non human beings, microorganisms, planets, memories, water, light and technology are all part of the same living fabric woven through the nature of our planet and the vastness of the cosmos. I believe many of the crises we face emerge from the illusion of separation between humans and nature, sustaining the idea that the Earth exists as an infinite resource outside ourselves.

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The relationship between micro and macro cosmos appears constantly in my work as a way of thinking about ecology, transformation and interdependence.

Everything is nature.

The leaf, the body, the stars, the city and the machine.

Coming from a background in fashion design, my journey into video art began during the pandemic.

At that moment, moving image became both refuge and expansion.

Influenced by São Paulo’s underground audiovisual scene and the liquid light shows of the 70s, I started developing a practice combining analog and digital techniques, mixing organic oils, liquids, projections and live visual manipulation.

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Projection mapping became central to my research because of the possibility of creating immersive experiences outside institutional spaces. Projecting onto buildings, landscapes and public spaces transforms the image into something collective, accessible and alive.

Through video, light and performance, I seek to create sensory experiences that dissolve boundaries between nature and technology, science and spirituality, human and non human existence."

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Via, 2026.